Document Type
Article
Publication Date
6-2010
Abstract
In her article "The Anti-Colonial Revolutionary in Contemporary Bollywood Cinema" Vidhu Aggarwal discusses several contemporary films including Rakesh Omprakash Mehra's Rang de Basanti with focus on the figure of the revolutionary hero. The Bollywood film is a cultural form that combines several aesthetic styles, from within India and from the outside. With its formal heterogeneity and as a product of one of India's largest cities, Mumbai Bollywood has had an ongoing fascination with "arrival," that is, with India's status as a contemporary nation-state. While some Bollywood films seem to celebrate fantasy scenarios of India's arrival on the global scene, at the same time they express anxiety about affective possibilities within a new Bollywood of higher production values and larger global reach, an India of mobile borders and attenuated historical context. Aggarwal examines the way the contemporaneity of Bollywood — both in terms of acting style and aesthetics — is negotiated through reenactments of the colonial period and compares Bollywood cinema with aspects of the British film Slumdog Millionaire, directed by Danny Boyle.
Published In
Aggarwal, Vidhu. The anti-Colonial revolutionary in contemporary Bollywood cinema. Comparative Literature and Culture, Purdue University Press, June 2010, 6000 words, http://docs.lib.purdue.edu/clcweb.
Publication Title
CLCWeb: Comparative Literature and Culture
ISSN
1481-4374
Included in
Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons