Submissions from 2012
Tuning the Nigerian Slit Gong, Ashley E. Cannaday, Brandon C. August, and Thomas R. Moore
A Simple and Inexpensive Optical Technique to Help Students Visualize Mode Shapes, Thomas R. Moore, Ashley E. Cannaday, and Sarah A. Zietlow
Submissions from 2010
Influence of wall vibrations on the sound of brass wind instruments, Wilfried Kausel, Daniel W. Zietlow, and Thomas R. Moore
Language with Attitude: American Slang and Chinese Liyu, Robert Moore, Eric Bindler, and David Panich
Imaging of vibrating objects using speckle subtraction, Thomas R. Moore, Ashley E. Cannaday, and Sarah A. Zietlow
Submissions from 2009
A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin, Joseph Bromfield and Jennifer Jones Cavenaugh
Modeling the magnetic pickup of an electric guitar, Nicholas G. Horton and Thomas R. Moore
Transient motion of a circular plate after an impact, Thomas R. Moore, Daniel W. Zietlow, Christopher W. Gorman, Donald C. Griffin, Connor P. Ballance, and David J. Parker
Submissions from 2008
Time-averaged electronic speckle pattern interferometry in the presence of ambient motion. Part I: Theory and experiments, Thomas R. Moore and Jacob J. Skubal
Experimental investigation of an American five-string banjo, Laurie A. Stephey and Thomas R. Moore
Submissions from 2006
Interferometric studies of a piano soundboard, Thomas R. Moore and Sarah A. Zietlow
Submissions from 2005
The effects of bell vibrations on the sound of the modern trumpet, Thomas R. Moore, Erin T. Shirley, Isaac E. W. Codrey, and Amy E. Daniels
Submissions from 2004
The dynamics and tuning of orchestral crotales, Bradley M. Deutsch, Cherie L. Ramirez, and Thomas R. Moore
Non-degenerate normal-mode doublets in vibrating flat circular plates, Bradley M. Deutsch, Alexandra R. Robinson, Richard J. Felce, and Thomas R. Moore